Boss Dr 600 Manual

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Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. MIC1: This jack allow a mic to be connected. This is TRS-type microphone input connector. The BR-600 uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply. For more on supported memory cards (CompactFlash) for the BR-600, refer to “About Memory Cards” (separate sheet). MIC1 dial This dial adjusts the sensitivity for MIC1 and the onboard stereo mic. The selected button will light. When making any connections, make sure that all devices are turned off. fig.00-110 F ront P anel Rear P anel CD Play er etc. Foot Switch (FS-5U etc.) Electric Guitar or Electric Bass Audio Set etc. Preset patches (P) The preset patches contain preset data. Their settings can be changed, but you cannot create a new preset patch. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button. Off: No recorded data exists on the track. Green: Recorded data exists on the track. Use whichever mode is suitable in the course of bringing your song to completion. fig.00-520 INPUT: Only the instrument sounds or other input sources are recorded to the tracks. Sounds played back from other tracks are not recorded. Use the TRACK faders to adjust the volume separately for each track. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button. Off: No recorded data exists on the track. Green: Recorded data exists on track. You can select any one of these V-Tracks for recording or playback. This may make it difficult for you to set the repeat portion exactly as you desire. http://mebel-kxm.ru/userfiles/boss-880-manual.xml

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To enable you to find these points accurately, the BR-600 is equipped with the Scrub function. Track Copy allows you to copy a specific part of data and then place it in a different location. In some cases, this unwanted data may occupy a significant amount of space on the memory card. An insert effects, loop effects, and Track EQ can be used simultaneously, and you can make settings for each effect as desired. The reason for this is to allow for the effects- processed (wet) sound to be recorded and monitored. However, sometimes you want to change the connection order. The algorithms that can be selected will differ for each bank. The larger the value set here, the more rapidly compression is applied. Type Select the mode of the lo-fi box. Since it suppresses the noise in synchronization with the envelope of the sound (the way in which the sound decays over time), it has very little effect on the sound, and does not harm the natural character of the sound. Type This sets the type of the preamp. The sound will be unmusical and lack distinctive pitches. Touch wah creates an automatic wah by changing the filter in response to the volume of the input. The overall volume is adjusted by the MASTER fader. FX Type This sets the type of the effect. CHORUS: A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. When compared with guitars, pianos, and other musical instruments, the human voice generally produces a relatively unstable tone. The solo part will be played and any incorrect pitches will be fixed. The BR-600 features nine pre-programmed collections of drum sounds designed for use in different musical genres (drum kits); select the drum kit suited to the type of music you are playing. There are three ways to load drum tones. ? Loading from the tracks. This is convenient when, for example, you cannot find just the pattern you want from the preset patterns. There are three ways to create patterns. http://www.czx318.com/upfile/15986065011187466149.xml

You can use the following procedure to delete drum sounds. You can then save these arranged patterns as song arrangements. You can create song arrangements of up to 999 measures. The built-in tuner supports both guitar and bass guitar. Patch Name Algorithm 01 JC Clean COSM GTR AMP 02 HiGainLd COSM GTR AMP 03 Over Drv COSM GTR AMP 04 Phased COSM GTR AMP 05 Crunch COSM GTR AMP 06 MS Strgt COSM GTR AMP 07 St WACK COSM GTR AMP 08 Ambient COSM GTR AMP 09 Voxy. If this does not resolve the problem, contact a nearby Roland service center or your dealer. Memory card data was damaged If memory card data has been damaged, the following causes are possible. Refer to this list and take the appropriate action. Battery Low! Cause: The batteries are depleted (6 x AA Alkaline dry cell batteries). Cause: There are no songs on the memory card. Solution: Create a new song (p. 54). Cause: Incorrect data is in the song folder, or the necessary data is not present. Solution: Restore the data backed up on the computer to the BR-600. Data Type HiFi (MT2) STANDARD (LV1) LONG (LV2). For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Each of the eight tracks also contains eight V-Tracks (virtual tracks), which gives you quick access to 64 tracks of recorded material. Record dozens of takes, then choose your favorites for mixdown. Assemble your perfect backing track from nearly 300 high-quality drum patterns built in, or program your own from the velocity-sensitive pads. I had great fun learning and knocked up a test piece within a day. That's why I was very excited to find the ProAudioEXP video tutorial for this device. It has been incredibly helpful in learning the ins and outs of the unit, allowing me to take full advantage of everything it has to offer. I highly recommend this, and will be buying other video tutorials from ProAudioEXP in the near future. A A.R. http://www.drupalitalia.org/node/71607

BR 600 David's video tutorials answer the questions no one else will answer. Concise; simple, and straight forward.It greatly increased the potential of my BR-600. Based on the included manual, I used about 30 of what it offers, or used in a wrong or more complex way. Yeah, maybe I could get further if I played around with it a little but hey, why not get the help of a specialist and save time with guaranteed results. Now, even if I don t use a 100 of it, I am aware of it s potential. David does a great job explaining every feature of the BR-600 in detail without being redundant or overly didactic. The beat programming part was particularly helpful. Thanks for your work David and, I probably shouldn t be saying this but, in this case, USD 29.95 was a bargain! M M. Great Product Good video quality with many great examples. The lessons go at a pace that anyone can follow too. I would recomend this for even an advanced user as you learn little tricks and ways to use the device that you may not have thought of. T T. Outstanding tutorial DVD Hi, I've been watching these video-tutorials over and over again and now everything is very easy to understand. Thanks a million for these. One request if I may. I'm wich for a tutorial on the Rhythm section, the drums. A whole song from start to end with fills and stuff, let's say 2min 50sec or something. Thanks again.I had a happy hour watching the videos. Best regards Torbjrn Trnqvist Sweden, Eskilstuna A A. Great Tutorial on BR-600 Actually the only reason I decided to buy a BR 600 instead of other similar digital recorders, is the availability of this video. The video is very straight forward, simple and takes you through the BR 600s functions in a very clear and consecutive manner. Also, the guy hosting this training is a very knowledgeable guy. Not only does he get into the specifics of the BR 600, but also gives you tips for recording techniques in general. x x. http://apartmangyula.com/images/boss-dr-660-manual-online.pdf

Without this video I couldn't have learned to use the BR 600 The Boss BR 600 is a neat (but far from perfect) machine, but if you are a newbie to recording, studio work, etc. Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. See All Buying Options Add to Wish List Disabling it will result in some disabled or missing features. You can still see all customer reviews for the product. The upside is that the system is fairly easy to use--it gets easier with practice--and there are no recording artifacts like white noise, tape noise, etc. Onboard effects for guitar and bass guitar are great. There are a few downsides, however. The biggest is that this is a complex system that takes a lot of time to master. You can do simple songs within a couple of hours of opening the box, but there are so many features that the average Joe will never learn them all. I don't think I've used more than 10 of the system's capability yet. The other downside are the drum tracks. While there are many of them, and there is a cool way to layout drum arrangements for songs, none of the tracks really seem to suit my needs (basic rock and roll and basic jam band styles). In theory you can create your own drum patterns with the touch-sensitive buttons, but I haven't yet figured out how to do this well. Seems like you need two VERY talented and agile fingers to make a useful pattern. But all of these are fairly minor gripes if you aren't looking to be a Grammy winning ar-teest quite yet. Overall the system does all that I need it to do--record four to eight track songs, add effects, mix, and then transfer to my computer. I transfer the songs in. http://www.theagentpipeline.com/wp-content/plugins/formcraft/file-upload/server/content/files/162729eae5d490---breville-electric-blanket-manual.pdf

aiff format to I-Tunes and then either play them through my I-Pod on my home stereo system, burn them to CD, or convert them to MP3 to share with friends. All of my friends think the recordings were done professionally! So complicated, could hardly do ANYTHING with it. (Did not come with users guide or an AC adapter). Not worth the money, not to mention, one of the channels didn't even work and another was all static when using the volume controls. Please try again later. Michael 1.0 out of 5 stars So complicated, could hardly do ANYTHING with it. (Did not come with users guide or an AC adapter). Not worth the money, not to mention, one of the channels didn't even work and another was all static when using the volume controls.Please try again later. Please try again later. Headhunter 6 5.0 out of 5 stars The box is fairly small and turns out some really nice sounding production--professional quality to my admittedly hobbiest ears. The upside is that the system is fairly easy to use--it gets easier with practice--and there are no recording artifacts like white noise, tape noise, etc. Onboard effects for guitar and bass guitar are great. There are a few downsides, however. The biggest is that this is a complex system that takes a lot of time to master. You can do simple songs within a couple of hours of opening the box, but there are so many features that the average Joe will never learn them all. I don't think I've used more than 10 of the system's capability yet. The other downside are the drum tracks. While there are many of them, and there is a cool way to layout drum arrangements for songs, none of the tracks really seem to suit my needs (basic rock and roll and basic jam band styles). In theory you can create your own drum patterns with the touch-sensitive buttons, but I haven't yet figured out how to do this well. Seems like you need two VERY talented and agile fingers to make a useful pattern. cmf-inc.com/ckfinder/userfiles/files/consumer-service-manual-wapda.pdf

But all of these are fairly minor gripes if you aren't looking to be a Grammy winning ar-teest quite yet. Overall the system does all that I need it to do--record four to eight track songs, add effects, mix, and then transfer to my computer. I transfer the songs in.aiff format to I-Tunes and then either play them through my I-Pod on my home stereo system, burn them to CD, or convert them to MP3 to share with friends. All of my friends think the recordings were done professionally!Please try again later. Please try again later. Aileen E. 5.0 out of 5 stars There is a lot of glitches with it's built in firmware, but when you learn to overcome them, you can get a very professional product from this machine.Please try again later. Please try again later. ErikWTN 5.0 out of 5 stars One balanced adapter is included. - 64 virtual tracks allow you to record 8 tracks then bounce a mix onto two virtual tracks and then record even more tracks while listening to the mix you've already recorded. You can continue to add tracks this way until all 64 virtual tracks are full. The great thing is that, as long as you don't record over your original recordings then you can still remix everything either in the machine or by dumping all of the tracks to your computer and mixing it there. - You can record your tracks dry (no effects) but still hear the effects while you record. This allows you to edit or change the effects during the final mix rather than being stuck with the effects that were recorded with the track. - Ability to dump all of your data to computer for backup. - Ability to dump all of the tracks from your recording onto a computer where you can edit them with your audio editing application of choice. You can download the software to do this free from Boss's website. - Built in drum machine. It sounds pretty good and is fully programmable. Plus, it has its own dedicated stereo track so it does not take up any of the 8 recording tracks. {-Variable.fc_1_url-

You can even load in tones from CD, computer or another drum machine or sound module. - Built-in effects that sound pretty good, are customizable, and allow you to add stereo loop effects to individual mono tracks for your final mix and really add some thickness and stereo richness to your mix. - Very well though out design and fairly easy to use - once you get the basics down. - Excellent manual! I've heard a lot of people bashing the manual but I think it's great. Very well thought out and easy to use. Yes, it's thick and full of information and words and stuff. But this machine is packed full of features so it required more than a pamphlet to explain it all. And they do a great job of presenting the information in a tutorial format as well as in an easily accessible reference format so you can either look up something quickly or spend some time reading and learning in depth. Cons: - No phantom power for microphones. The included card is virtually useless. Buy a 1GB card that has been tested (see the chart on Boss's website). This means that you cannot record two separate instruments onto these two tracks and have individual control. I don't know why they made half of the tracks on the machine locked like this but it's not that big of a deal because you can work around it by bouncing tracks. Basically, you can record either stereo instruments like keyboards, etc.If you have a basic understanding of recording, effects, drum machine programming then you will catch on pretty quick. - Because of the small size of the machine, plus the fact that it has a full set of drum pads, there isn't much room for a lot of buttons so you do have to dig around in the menus a lot to edit tracks or program the drums, etc., which can slow things down. But once you learn where thing are and how they work you can navigate through the menus pretty quickly. http://bascobrunswick.com.au/wp-content/plugins/formcraft/file-upload/server/content/files/162729ecf7d9df---breville-electric-wok-manual.pdf

Conclusion: A fantastic, portable machine with tons of features and excellent sound that will fulfill almost any need from recording quick ideas or live performances to recording your own album.Please try again later. Please try again later. G. Burke 4.0 out of 5 stars Cons include: the built-in stereo mics record too much background noise, a professional mic is recommended. There is somewhat of a learning curve, controls are a little confusing, the LCD screen is very small.I have a degree in Computer Engineering and there is no way I would have been able to figure out the BR600 without video tutorials walking me through the basics. The manual did not help much at all. Don't expect it to be studio quality, but its great for demos and songs on the go. The stock 128MB compact flash card is only large enough to record 1 or 2 songs at the highest quality. I would have given the rating 5 stars if it was a little more user friendly. I recommend purchasing the correct power adapter and a 1GB compact flash card to go with the machine. Brand new in a box does not come with these items.Please try again later. Please try again later. Kevin 1.0 out of 5 stars This was the entire reason I bought another one, as my other BR600 crapped out, disappointed.Please try again later. Please try again later. Jorge Villarreal 1.0 out of 5 stars Please try again later. Please try again later. Eduardo Alvear 4.0 out of 5 stars The only problem was finding the memory cards the product needs. They are OLD. so I had to go to Cabela's (the hunting store), where I found the ones that would work for a reasonable price. Thus, I came to the conclusion that this console is outdated technology (4 years old). I bet you they are getting rid of inventory.Please try again later. Please try again later. Dr. Rogers 5.0 out of 5 stars It has too many features to describe, but many include effects (for guitar or voice, or other instruments), drum tracks, multi-channel editing. www.cmevalves.com/pictures/files/consumer-service-manual-iesco.pdf

It is a bit slow when doing processing on the BR600, but files can be moved to a computer and processed there too. I have a lot more to learn about this device, it's loaded with features and options.Please try again later. Please try again later. Amazon Customer 5.0 out of 5 stars Please try again later. Please try again later. Your website must be famous. Thank you again!! Fabrizio Cyborg Studio Relaunch I just found your cool site while looking for info on a particular synth. Love what you guys have done. Tony Roland R-8 Samples Your R-8 samples sound good to me, like a professionally recorded sample set. Thank you!!! Sabine Cyborg Studio Relaunch Your website is invaluable to vintage gear junkies like myself. Thanks! Rich Cyborg Studio Samples Your Website is fantastic. Ian Prophet 600 Samples I just stumbled upon your website while looking for Prophet 600 preset demos-great job on it. Keep up the good work. Jed Roland R-8 Samples The R-8 rocks. I love it. Thanks again for everything. Ugo Kurzweil K2661 Manual.exactly what I needed. You’ve been a big help. Keep up the good work. Maurice Vintage Analog This is an awesome website, very inspiring. I wish I could buy all the sound sets from you, especially the old analog stuff. Manny Cyborg Studio Relaunch Thanks a lot for opening again the website. And also thanks for keeping the spirit of the classic electronic instruments alive!!! Pere By continuing to browse the site, you are agreeing to our use of cookies. One fixed price delivery for most items. Although they're of the squidgy rubber variety, they seem to be operationally reliable. The 550 also has 12 rubber playing pads, which stood up well to the bashing they received during this review (with fingertips rather than drumsticks, I hasten to add). These pads aren't velocity sensitive, but then I'd have been pleasantly surprised if they were. The 550's sounds are velocity-responsive via MIDI, but although you can record patterns into the drum machine's memory from an external MIDI source - an Octapad, for instance - disappointingly, MIDI velocity information isn't recorded. This effectively gives you equal access to not 12 but 48 sounds from the 550's instrument pads, all of which can be used within a single pattern. Successive presses of the dedicated Pad Bank button rotate around the four Banks (A-D). To understand how the DR550 functions, it's important to grasp that when you record a pattern the drum machine is storing pad hits only. If you record a cowbell part using pad three in Pad Bank four, say, and then assign a cabasa to that pad instead, your cowbell part will become a cabasa part. This way of working makes it easy to try out different sounds for an already recorded rhythm, plus it's easy to delete a part from a rhythm because you can quickly find the pad that it's assigned to. The down side is that any alterations you make to a Pad Bank to suit a new pattern that you're recording will affect any already-recorded patterns which use that Pad Bank. It's the perennial swings and roundabouts situation. The advantage of this approach is that when the DR550's manual says you can record 64 one-bar patterns it means 64 one-bar patterns regardless of how dense or sparse the rhythms are. Most of the operational buttons and instrument pads have a second function which is selected by holding down the Shift button and then pressing the relevant button or pad. The most difficult thing about using these functions is reading the labelling which identifies them - more shades of grey on grey. In practice the DR550 is a straightforward and fairly intuitive instrument which presents no real operational or conceptual problems for anyone already familiar with the way drum machines work. The beginner should find the 550 a reasonably friendly machine to get to grips with, especially as the accompanying manual is clearly written and well laid out, and includes what is now becoming (for Roland instruments, anyway) the customary index to help you get straight to the information on anything you don't understand. PAD SETTINGS EACH INSTRUMENT PAD within a Pad Bank can be assigned not only one of the 48 instruments but values for level, tone colour, decay, assign type, accent follow and pan parameters. Level setting is accessed via a dedicated Level button, and as the name suggests, allows you to set a volume level for each pad. Tone colour (0-7) provides a means of subtly varying the timbre of an instrument when it's assigned to a pad. You can record an Accent rhythm in the same way as you'd record a rhythm using any of the instruments. Accent is either on or off, and applies to all instruments sounding at a particular step. A value of zero means that the instrument won't respond to accents, while a negative value results in the instrument playing more quietly on an accented step. This approach does allow for a fair amount of flexibility, though should two instruments with the same accent follow value both sound on an accented step, both will have the same response even if you only want one of them to be accented. Again, assigning the same instrument to more than one pad and giving each pad a different accent follow value can help you get around any problems. Assign type allows you to set an instrument pad to Mono, Poly or Exclusive 1 or 2. If a pad is set to Mono, new pad hits cut short the instrument if it's still sounding from a previous pad hit, while Poly allows the instrument to play for its full duration, so that the sounds overlap. Setting two or more pads to the same Exclusive number effectively means that the instruments assigned to those pads can't be layered, which also means that you can use one instrument to cut short another. A traditional choice here would be open and closed hi-hats, but you can choose whatever combination of instruments you want. Finally, the DR550 allows you to select one of seven pan values for each pad in each Pad Bank, so that if you're taking advantage of the drum machine's stereo audio outs you can position up to 48 instruments in the stereo image. You can also experiment with auto-panning effects by assigning an instrument to two or more pads and giving each pad a different pan value, but as with the other pad parameters this is at the expense of the variety of instruments you can use for your patterns. RECORDING THE DR550 ALLOWS you to record in real time and step time. Once you've selected Pattern Record mode, both methods are equally available to you: when the pattern is playing you're in real-time record, when it's stopped you're in step-time record. You get a quarter-note metronome click (with settable level 0-15) and a flashing red pinpoint LED to play along to. In step-time recording, the DR550 records what pads you play at each step in the bar (while playing back whatever instruments, if any, you've already recorded for that step), and automatically advances to the next step after each hit and loops back to the first step when it reaches the end of the bar. As in real-time recording, the DR550 is permanently in overdub mode for step-time recording. Scale, meanwhile, allows you to alter the quantisation of a pattern. This defaults to 16th notes, but alternatively you can select 32nd notes, triplet 16ths or triplet 8ths. Another possible limitation of the 550's approach, depending on what sort of rhythms you want to create, is that you can't combine triplet and non-triplet values (triplet 8ths and straight 8ths, for example). Creating a DR550 Song is easy. You just scroll through the Song steps entering the required pattern number for each step. If you hit Start or Continue in Song Edit mode, the 550 repeatedly plays the pattern you've entered at the current step, which quickly allows you to see if you've chosen the right pattern. You can also start playing a Song from any step while in Song Play mode by scrolling to that step and then hitting Continue. You can also set an Initial Tempo value (40-250bpm) for each of the eight Songs - which, of course, only applies when the 550 is set to internal sync. The drum machine has a global tempo value which defaults to 120bpm each time you switch the machine on, but as soon as you select a Song that value changes to the Song's initial tempo value. Consequently, if you're working to and fro between Pattern and Song modes. Pattern mode automatically assumes whatever initial tempo value the Song is set to. MIDI THE DR550 CAN be set to internal sync or slaved to incoming MIDI clocks. For the purposes of playing the drum machine's sounds from an external MIDI source you can set it to Omni receive (all channels), or to one of the 16 MIDI channels (it defaults to channel 10, the channel which Roland have ordained as the rhythm channel on their instruments). For MIDI performance purposes you assign instrument pads rather than the actual instruments themselves to MIDI note numbers, which means that if a DR550 instrument isn't assigned to one of the 48 possible pads then you can't play it via MIDI. The 550 comes with a default set of pad-to-note assignments, but you can alter these to suit your own preferences.